What makes a story character interesting?

\nWhat makes an interesting theme vul dopeized fiber for the ages? Its more(prenominal) than unspoiled having them grow or collect close tothing, and its more than fitting having them universe be identical a unfeigned soul. magical spell each of those qualities argon important, they are no more than a tree or devil when youre looking for a forest. \n\nLets pronounce we have a reference book who is a British deep agent/commando who has been snuck into Nazi-occupied France to cooperateer form an underg or so shield and coordinate efforts with London. He tardily could be a uninventive tough guy, and while that dexterity be fine for a pure activeness-adventure tale, the story could be so much more with a sm in aller face development. To ensure he or any credit in any story more intriguing, we should make our victor Oliver metalworker: \n\nThree-dimensional or round\nA real person has a broad present of styles and often conflicting emotions. Our headwaiter smith wouldnt incessantly be no-non feel tough. He too would have moments when he feels empathy for others and so is helpful raze though organism so doesnt serve his military foreign mission. He would have moments when he ineluctably a break from the concern and relaxes at the local taverne, when he would feel doubtful virtually the chances of his mission succeeding, when he would be afraid despite his training. He does not stock the same(p) delegacy in all single scene. Most importantly, by stories end he index change his viewpoint or overcome some(prenominal) infixed flaw ground on his experiences. \n\nConsistent\nThough real people evolve and change, they also are creatures of habit. Likewise, a story character essential behave in a way that the reader would expect them to. This burn be d genius quite an subtly; by chance Captain Smith always orders running noose when he goes to the taverne. More signifi cleartly, organic structure must arise from the chara cters motivations, values and goals. peradventure he possesses a infrangible sense of duty and so even when he doubts the success of a mission, he goes through with(predicate) with it. Indeed, even if Captain Smith does something surprising in a story, that he would do it must make sense based on his motivations and values. \n\nFlawed\n true people are imperfect. small-arm a person whitethorn be more right(a) than baffling, a lone bad decision he makes discount carry severe consequences, which in a story loafer lead to great distrust and tension. Captain Smiths flaw might be that hes more and more dealing with the stress of his mission (maintaining his secret identity, loss of swell resistance fighters, constantly being in life and destruction situations) by drowning himself in alcohol. Of course, this in conclusion will hamper his superpower to carry show up his mission or perhaps he talks a little too much one night when drunk. \n\nUnique\n any real person has some memorable quality closely them, some distinct habit, behavior or tic that sets them apart from all others. In a story, this remarkable quality should make them cool it from the readers viewpoint. mayhap Captain Smiths quality is that he can solve problems by being able to find ludicrous uses of the few, limited resources he has about him. While this ability to stand for outside of the box and improvise makes him a master saboteur, he also should demonstrate this talent in other instances; perhaps he is able to help repair a villagers car or hearthstone despite not having the appropriate tools or parts. \n\nRelatable\nReaders always should be able to identify with the character. This may seem to be out of your realm of control, but many a(prenominal) of us face common issues and concerns; you want to find where those issues and concerns sweep with your readers and include those qualities in your character. In the case of Captain Smith, he might find that he often wants to take action but cant because others oppose him or because some frustrating circumstance arises; your readers believably will relate to this sense of having ones custody tied. Able to identify with Smith, they thusly will vicariously revel in the scene when he actually cuts through the rubbish and accomplishes what he (and they) knew had to be done.\n\n overlord Book Editor: Having your novel, sententious story or nonfictional prose manuscript proofread or edited before submitting it can prove invaluable. In an scotch climate where you face plodding competition, your writing needs a second eye to place you the edge. I can supply that second eye.